Countess Reichenbach (86-91) Munich

Images:
1. Portrait of the Countess. 2. Love in the closet. 3. Leotard colettesized. 4. Leotard colettesized II. 5. Don't look back (photo work). 6 Ludwig Castle painting. 6b. Ludwig castle . 7 "Bride and Groom" light figures - 86-88. 8. Count and Countess Reichenbach.

Countess Reichenbach (86-91) Munich

"In 1986, Colette made Munich - capital city of baroque fantasy-her headquarters in Europe and mounted a still ongoing project called The Bavarian Adventure, which captivated a large public drawn into such charades a Dial C for Scandal. The Baroque sensibility that permeates all of Colette's work was readily understood by her European audiences".

Alan Jones
excert from Arts Magazine, April 91

Colette as the Countess Reichenbach

Colette as the Countess Reichenbach,Color Photo, Photo Ed, 20" x26"

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Exhibition - It re-appears

The Countess and the Reichenbach palace

Colette as The Countess,

Ludwig Castle, still from performance for German tv, Munich 86

Crystallization.

( triptych, 6ft x 9ft)

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Countess Mixed Media / Photoworks

Countess: Windows / Installations

windows of ludwig beck department store-1986 munich

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Countess: Windows / Installations

The Ludwig Castle series (86 - 89)

Ludwig Castle, Mixed Media, 48" x 76"
Interior of Ludwig Castle colettesized (48 x 76") 86 - 88

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The Ludwig Castle series

Dial C for Scandal

Installation detail "Dial C for scandal" Frauen Museum Bonn Germany 1988.

In Munich as part of her Bavarian adventure Colette established among other things her new services - "Dial C for Scandal", a conceptual business which provided art scandals to be commissioned.

press release for Dial C for Scandal. 1987.

Dial C for Scandal offices . Photo works. 30" x 40"

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Dial C for Scandal

Love in the Closet

Love in the Closet. Mixed media with light. 6 ft x 5 ft x 10" 1987-91

The secret Life of the Count and Countess


Q: About "The Artist and her Muse - Love in Ruins" your lastest series which includes "The Secret Lives of Count and Countess Reichenbach" how did this series evolve and who are the protagonists?
C: In Munich where the aristocrats are still very much a part of the culture, Countess Reichenbach seemed to be the perfect persona since I lived at Reichenbach Strasse and coincidentally had an actor boyfriend that shared that family name. This series evolved quite naturally and in them I integrated art and life, fantasy and reality in my usual manner.
Q: So the Count and Countess are fictitious characters?
C: Yes, but they were very closely linked and inspired by my personal life.
Q: This is an ongoing series yet this is the only time that they will be exhibited as a single body of work, why?

C: I did exhibit a couple of works in Munich in 1990 in my exhibitions at Carol Johnssen's, "Visits to the Normal World," and again a year later in "The Aristocrats," where I made a cameo appearance as the Countess. Perhaps I felt at the time that the whole series was too personal.

quotes and excerpt from interview for cover magazine 1992
Francisco Hernandez

The Figures Look At Art II

Light figure looks at Burntout Light figure.
Photo work, 4 x 8 ft.

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The Figures Look At Art

Paintings / Masterpieces

Della Francesca Colettesized (36'' x 96'')
(masterpieces colettesized series exhibited at Dorsky Gallery NYC, 1989)

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Colettesized Masterpieces I

Masterpieces Colletesized

Ecole de Fontainebleau Colettesized, No. 5, mixed media, 1989, 120 cm x 180 cm

Ecole de Fontainebleau Colettesized, No. 2, mixed media, 1987, 120 cm x 180 cm

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Countess Reichenbach : Mixed Media Works

THE REICHENBACH PALACE

View of the New York Living Environment 1989
Another view of the New York Living Env , 1989

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THE REICHENBACH PALACE

Colettesized Fragments

Why don't we start another life together, Colette in her studio with artworks, photo ed, Munich 1986

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Colettesized Fragments

Visits to the Normal World / Olympia beginnings

Installation view of Visits to The Normal World, Room 1, Stage I.

Carol Johnssen Gallery, Munich, 1990.

View of one of the rooms in the exhibition 'Visits to the Normal World', stage I. The exhibition consisted of art performances and installations that occurred in alternative and public spaces, for example the Scandal Offices, Fiorucci Windows, Night Club installations etc.

This installation marked the end of The Countess Reichenbach period and unveiled Olympia's beginnings.

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Visits to the Normal World


Most images of public and private performances are available in photo edition or as altered photographs.
Contact Maison Lumiere for more information.

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